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Dorianne Laux
Augusta |
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Dorianne Laux was born in Augusta, Maine, in 1952. She worked as a sanatorium cook, gas station manager, maid, and donut holer before receiving a B.A. in English from Mills College in 1988. Laux is the author of three collections of poetry: Smoke (BOA Editions, 2000), What We Carry (1994), and Awake (1990). With Kim Addonizio , she edited The Poet's Companion: A Guide to the Pleasures of Writing Poetry (1997). Among her awards are a Pushcart Prize, an Editor's Choice III Award, and a fellowship from the National Endowment for the Arts. She is an Associate Professor at the University of Oregon's Program in Creative Writing.
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Drive toward the Juan de Fuca Strait.
Listen to "Moondog Matinee." No song ever written gets close to it: how it feels to go on after the body you love has been put into the ground for eternity. Cross bridge after bridge, through ten kinds of rain, past abandoned fireworks booths, their closed flaps streaked with soot. Gash on the flank of a red barn: Jesus loves you. 5 $ a Fish. He's dead. Where's your miracle? Load a tape into the deck so a woman can wear out a love song. Keep moving, keep listening to the awful noise. the living make. Even the saxophone, its blind, unearthly moan. |
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©Copyright 2000 Dorianne Laux |
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Colin Sargent
Portland |
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Colin Sargent is a winner of the Academy of American Poets Prize at the U.S. Naval Academy and author of four books of poetry, Luftwaffe Snowshoes, and Blush, (published with grants from the National Endowment for the Arts both winning Pick of the Month" honors at Small Press Review); Undertow and now, Fresh Hell. Colin is founding editor and publisher of the prizewinning Portland Magazine. His play 100% American Girl was a winner at the 2002 Maine Playwrights' Festival. |
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There was a cod in the fish store
Following me the way eyes Of great paintings follow you through museums. They wrapped him up for me. I got lost on the way home Whispering through the paper to my loaded cod. Strangers I passed were convinced He was a loaf of bread. Where are we? He talked quite naturally given His condition. Where are we? You were saying just now. The dark souls Of all the fish I've eaten Are European, black as wallets. Their street goes on forever, shiny with oil. |
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©Copyright 2004 Colin Sargent |
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William Carpenter
Bar Harbor |
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William Carpenter is a senior faculty member of the College of the Atlantic teaching English literature. He received a BA from Dartmouth College and PhD in English from the University of Minnesota. He is the author of three books of poetry and two novels.
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California
| I think of the California poets, how easy it is for them. They have vast open spaces, they drive jeeps and live nowhere, they drift from cabin to cabin on mountains with beautiful Spanish names and there are girls in the cabins who love poetry and sleep with the poets freely, for in California there is no guilt nor shame nor hunger, life is as a dream, lobsters crawl up on the shore to be caught, they shoot seabirds and fry them in butter on the beach. There are no seasons in California. You make your own, you move from places where the sun shines all the time to places where it rains or snows forever. If you want June or October or some cross-country skiing, you go to that place in your jeep and the season is there always. It is a good climate for poetry, since it is full of images. You pluck them from the trees like breadfruit with your feet or knock them down like coconuts. It is good also for religion, as the Three Winds bring secret doctrines from the East, sesnsual and voluptuous names for the emotions, creeds that make holy your underground desires, your daily habits and the parts of your body. In New England we scratch in the soil with sticks, find scarce turnips among the rocks, have no religion at all, fence out our neighbors, wear clothes, work hard, abstain from sex and write poems, when we do, on the way to the madhouse. I spent some time in Midwest, where they were neither wholly free nor wholly tragic. They lived, screwed, married, divorced and died like regular folk. They grew corn and fed it to their pigs, then shipped them east and west for slaughter. It made sense. When I am finished with this rocky ground, wet weather and neurotic ocean, I will become a Baptist in Des Moines, rise early and drive out to the river to watch the fall migrations. I will take photographs and keep a family album, with no poems, for poems, Maine or California, drive you crazy. |
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©Copyright 2000, William Carpenter |
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Bristol |
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Bright in September, bright against the sky,
Bright against mountains, bright against the sea, Oh acid fruit and worthless! Pass it by. Oh beautiful and worthless! Let it be. Yet the birds take these branches for a house, Wild grape festoons it, binding tart with tart, And to the end of time unshaken boughs Are not for us to laugh at, O my heart! Unshaken boughs and fruit ungathered yearly Save by the wind that brings it scattering down To bruise on rocks, smash open, juicing clearly, And rot beneath the tree till it is brown. Out in back pastures known to sheep and cows, Blind foot-note to a page, they stand apart; But to the end of time unshaken boughs Are not for us to laugh at, O my heart! |
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©Copyright 2003 Abbie Huston Evans |
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Farnham Blair
Blue Hill |
| Farnham Blair, born in Washington, D.C., graduate of Yale University in English Literature and Art History, was a Research Assistant at the Smithsonian Institution, received a Master of Arts degree in English from Georgetown University. He has published The Blue Line: Essays on Landscape and Narrative; Immanent Green and The Movie Queen, poems; and Art Notes: Essays and Observations, and Peripheral Visions: Memoirs of a Washington Childhood, through Puckerbrush Press, and fiction, reviews and poetry in the Puckerbrush Review |
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1938-39
The angel bear |
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Orono |
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As You've Heard
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As you've heard this is National Poetry Month National ational ational Poetry oetry oetry Month onth onth National Poetry oxy oxy moron Poetry Month oxy oxy moron National Month oxy oxy moron National Poe Month National Poe Month National Tree Month National Tree Month National Try Month National Try Month Oh, O.K., maybe Intergalactic Poetry Space/Timelessness Month mmm, maybe Intergalactic Poetry Space/Timelessness? better National Try Month National Try Month Oh, O.K. maybe Natural Poetry Mouth Ah! Natural Poetry Mouth Ah! So, kiss me yes! So, kiss me yes! So, kiss me kiss me yes! |
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©Copyright 2003, Sylvester Pollet |
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Elizabeth Hobbs
Raymond |
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Elizabeth Hobbs graduated from Bates College, University of Washington, has served as a poet-in-residence for Manzanita Oregan Fione Arts Council, the Creative Arts Program at Camp Hawthorne in Maine, and the Fine Arts Camp in South Carolina, has appeared in the Cactus Poets television series and is a freequetn reader in the Castalia series at the University of Washington.
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©Copyright 2003, Elizabeth Hobbs |
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Brunswick |
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In a Parking Lot at Rockland Harbor Navigare necesse est vivere non necesse - Pompey
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©Copyright 2003, David Adams |
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Nancy Henry
Gray |
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Nancy Henry is an Associate Editor of The Café Review and teach English composition and literature at Southern Maine Community College. She co-editored the Maine poetry anthology, A Sense of Place. Her chapbooks "Anything Can Happen" and "Hard" were published by MuscleHead Press. She's received a Pushcart Prize nomination and an Atlanta Review International Merit Award. Prior to teaching English, she was an attorney in the field of child protection. Henry is co-editor with Alice Persons of the Moon Pie Press.
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Be my Chagall lover,
float with me above a small chaotic town our silks and fingers tangled up together in a storm of crabapple blossoms, stars circling over us on silent white wings. I will bring you moonsnails, bluegills caught with silver nets beneath the cypress shadows to show you their delicate jade skins their opal scales shining for your eyes alone and we will walk barefoot, hand in hand, to the soft water to let them go, to watch them spread their spiny feather-fins and sweep away. Ill spell out your name in marigolds on the sand, paint a yellow sunflower on my forehead, and when we lie down together on our pillows of soft moss-- cows and wooden spoons and crocks of fresh cream spinning in the violet sky-- you may start awake, towards dawn, at some sweet jarring sound and by some miracle, find my sleeping face so calm and lovely it will make you weep. |
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Westbrook |
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There is something very orderly about a hay
bale. It has definite measurements, length, width, height. It has two strong strings binding the hay together, with enough play to avoid breaking when handled, and knots to make a sailor envious. Bales are certain, never different from the one before, at ease with the one after, serene in being bales. |
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©Copyright 2003,Edward Rielly |
The books of Maine poets may be purchased
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